Wednesday 4 March 2020

Lost Buildings of Toronto

What happened in Canada in 19 century? 
How do you imagine Toronto 150 years ago?
Here are some pictures from the Toronto Archives.

 

Pavilion, Horticultural Gardens (Toronto, c.1900) Demolished

Picture, 1907, English
Notes Inscribed in the print, l.c.: Pavilion, Horticultural Gardens.; Letterpress, in dark greyish red ink, u.l.: COMPLIMENTS OF / GERHARD HEINTZMAN, LIMITED / 97 YONGE STREET, / TORONTO.; Inscribed in pencil (by T.A. Reed), u.r.: cir 1895; In pen and black ink, vso t.: Pavillin Horticulturol Gardins
No records of who built it when was built.

 Kids in the field out front of Knox College (1875-1915), 1 Spadina Crescent. Toronto
138 years ago - 1882



Osgoode Hall before the dome, between the west wing and library, was removed
(Categorized under: Osgoode Hall )
1852 - City Hall

Osgoode Hall Library interior - stereo - Photographed by Armstrong, Beere & Rime, Toronto
(Categorized under: Osgoode Hall )
1859 - City Hall

 Osgoode Hall gates and pedestrians - half-tone photograph
(Categorized under: Ornamental gate --- Osgoode Hall )
  Saturday, April 23, 1870 - City Hall


Osgoode Hall Library with ornate ceiling and fireplace
(Categorized under: Osgoode Hall )
136 years ago - 1884 - City Hall



 The Independent Order of Foresters (IOF) built a grand arch . It was built in 1901, complete with flashing light bulbs, flags and crests, and a crown on the top, and was illuminated at night.  

It originally stood across Bay Street (Terauley Street at the time) at Richmond, just south of City Hall, outside the Temple Building (also known as Foresters' Temple or the the I. O. F. Temple). It was moved to the Exhibition Grounds by 1906. 
Now Demolished 

 Caer Howell Hotel (University Ave. at Orde St.)
(Caer Howell Hotel )
  1900 - Discovery District

Links
http://wholemap.com/historic/toronto.php?neighbourhood=City%20Hall

http://wholemap.com/historic/toronto.php?neighbourhood=Downtown 

http://wholemap.com/historic/toronto.php?neighbourhood


Tuesday 3 March 2020

Canadian National Exhibition Toronto, Ont.--Lost Architectural Buildings and Cultural History of Toronto

We Should ask why this concerted effort to destroy old buildings and old architecture of this city?

Who are the peoples behind it?
Are these buildings erased form the public consciousness? 
Canada is a large Country. There is plenty of space. Why not build beside them ? 
Why were these buildings destroyed?
In Europe they would have been rebuilt. Have we lost the ability to build such artistic buildings?
Has the consciousness of people something to do with it?

When people see beauty the spirit is uplifted. Is the reverse also true?
 

On the Terrace showing Manufacturers' and Women Building, Toronto Exhibition by night. Toronto, Ont.- All Buildings demolished

Picture, 1914,



Grand Plaza, showing Manufacturers' Building, Toronto Exhibition, Canada


Picture, 1912, English


Medium Printed ephemera. Postcard



Entrance to Manufacturers' Building, Exhibition, Toronto

Picture, 1910, English

Rights and Licenses Public Domain Medium Printed ephemera. Postcard



C.N.E. Horticultural Building. Demolished , showing south entrance

Picture, 1920, English




Crystal Palace - Demolished






C.N.E. Transportation Building Demolished

Picture, 1920, English
 Notes Inscribed in the photograph l.r.; Photographer's stamp on vso. See also TORONTO/C.N.E./BUSINESS MACHINES BUILDING. TEC 21.5A 

Entrance to Grand Stand, Toronto Exhibition, Canada

Picture, 1910, English
NotesInsc. l.r.: 105948. Insc. vso. Printed in Great Britain. C.N.E. Grandstand (1907-1946)Rights and Licenses Public Domain
 

Women's Building (1908) Demolished

Picture, 1952, English
Notes Salmon's negative envelope & print gave dates June 1952 & July 1952 respectively
 Rights and Licenses Public Domain Medium Film negative Call Number / Accession Number S 1-733

Collins Wireless Telephone Exhibit

Picture, 1909, English
Notes Copy photograph: E 4-96d. REPRO of E 4-96d. TEC 22A Rights and Licenses Public Domain Medium ½ plate glass copy negative
Branch Toronto Reference Library Location
Baldwin Collection Call Number / Accession Number E 9-251 Small

Horticultural Building -Demolished, looking north

Picture, 1952, English
Rights and Licenses Public Domain Medium Film negative Call Number / Accession Number S 1-715B 


Horticultural Building - Demolished

Picture, 1928  

 

Horticultural Building - Demolished

 

Dominion and Provincial Government Building, Toronto Exhibition - Demolished

Picture, 1915, English

 

Government Building - Demolished

Picture, 1913, English 



Entrance to Ontario Government Building, Canadian National Exhibition, Toronto. Demolished

Picture, 1928, English
Notes Inscribed in pencil, l.l.: Entrance Ontario Government Building / Canadian National Exhibition / Toronto-Canada; l.r.: W.H. Edwards

Ontario Government Building - Demolished

Picture, 1929, English 

Government Building, Toronto Exhibition, Canada - Demolished

Picture, 1915,

C.N.E., Graphic Art Building Demolished

Picture, 1900, English 

Art Gallery  - Demolished ( possible same building as Graphic Art Building)

Picture, 1952, English 

On the Grand Plaza, Canadian National Exhibition. Toronto, Canada - Fountain Removed

Press Building (1906) - Demolished

Picture, 1953, English 

Canadian National Exhibition. Administration Building - Demolished

Crystal Palace (1879-1906) - Demolished (Mud Flood?)

Picture, 1880, English 
Crystal Palace

Crystal Palace (1879-1906) Demolished

Picture, 1905,

Automotive Building - Demolished

Picture, 1956, English 


Automotive Building; Interior - Demolished

Picture, 1954

Scene in front of Manufacturers' Building Canadian National Exhibition, Toronto

Picture, 1906, English 
Another Scene from Manufacturer Building 


Manufacturers Building

Picture, 1913

CC.N.E. Transportation Building - Demolished

Picture, 1923, English

Notes

Inscribed in the photograph l.r.: X29485. TEC 21.5B
See also TORONTO/C.N.E./BUSINESS MACHINES BUILDING.
Anotherr View of the building

Transportation Building, Industrial Exhibition, Toronto, Canada - Demolished

Picture, 1903, English

Notes

Formerly known as the Crystal Palace (1879-1906)
Other View

Crystal Palace (1879-1906)  - Demolished

Picture, 1884, English
Notes Copy negative shows printed caption below photograph. Copy photos: E 4-95a; B 5-83a.
Perhaps from 'Picturesque Toronto', Toronto, 1885


Coliseum, Exhibition Place, Toronto, Ont. Demolished

Hornyansky, Nicholas, 1896-1965

Livestock Building - Demolished

Picture, 1913, English 

Electrical Building - Demolished

Railways Building - Demolished

Picture, 1952, English
Notes Building became Hydro Building in 1953, and later became Music Building. See also TORONTO/C.N.E./MUSIC BUILDING See also TORONTO/C.N.E./HYDRO BUILDINGRights and Licenses Public Domain
 

Agricultural Implements Hall, showing Association Offices at right  - Demolished

Picture, 1890,

Transportation Building, Interior - Demolished

Picture, 1913, English 

Women's Building - Demolished

Picture, 1906, English
Notes
Inscribed by Salmon in dark blue ballpoint pen, vso u.l.: CNE Woman's Building 1906 Shows inscription in the print, l.l.: Galbraith I Photograph Co. / Toronto Can.; The copy negative shows inscription (on mount?) l.r.: WOMAN'S / BUILDING


Grandstand (1907-1946) Demolished

Picture, 1920, English 

Band Shell - Demolished

Picture, 1952, English 

Band Concert, Toronto Exhibition, Canada

Picture, 1912

Wednesday 26 February 2020

Lost Buildings of Toronto - Grand Opera House

IMPORTANCE: No performing arts facility in Toronto’s history quite equals that of the Grand Opera House. It is recalled in the name of the lane way existing today.
Built: 1874

Demolished: 1927
What exists there now: Scotia Plaza

Why it's missed: A fabulous Second Empire-style building with an an intriguing history courtesy of one-time owner Ambrose Small, the millionaire that one day up and vanished, nothing like it remains in Toronto.



The Grand Opera House was an opera house and concert hall located in Toronto, Ontario, Canada.

Opened in 1874 on Adelaide Street West, west of Yonge Street, the Grand Opera House was Toronto's premier concert hall during the late 19th century. Designed in the Second Empire style with 1750 seats, the hall was the first in the city to feature gaslights that could all be switched on or off simultaneously with one electric switch.

The Grand Opera House's stage hosted some of the era's best-known performers, including actors Maurice Barrymore, Sarah Bernhardt and Sir Henry Irving, soprano Emma Albani, as well as Italian baritones Giuseppe Del Puente and Antonio Galassi. Visiting lecturers included Oscar Wilde. During its initial years, the Grand Opera House was managed by Charlotte Morrison, a former actress, and the guiding force at that time behind Toronto's opera and theatre scenes. Morrison has been described as the "Ed Mirvish of her time".

The Grand Opera House suffered a number of fires, including a major blaze in 1879 that killed a stage-carpenter, as well as his wife and infant daughter. Although the hall was restored and reopened after each fire, it slowly fell into neglect with the arrival of the vaudeville age in the 1900s, which brought with it newer and more modern vaudeville theatres to Toronto, most notably the Loews and Winter Garden Theatres on Yonge Street.

In 1919, the Grand Opera House became embroiled in an infamous and widely reported criminal investigation. On December 2, the Grand Opera House's owner at the time, Ambrose Small, deposited a cheque for a million dollars in a nearby bank, and went missing later that day.

Before his disappearance, Small already had a reputation in Edwardian era Toronto as a gambler, and booked less reputable, more titillating shows to his string of theatres, including the Grand Opera House. The newspapers published every known detail of the police investigation into his disappearance, and soon it was revealed that Small had kept a secret sex room at the Grand Opera House, where he entertained numerous mistresses.

The concert hall never recovered from the fires, the neglect and the scandal, and it was  demolished in 1927. The site of the former Grand Opera House is now occupied by the 68-storey Scotia Plaza in Toronto's Financial District. The sole remaining physical legacy of the concert hall is a small lane running south from Adelaide Street West, named "Grand Opera Lane".

Disappearance of Ambrose Small

Ambrose Small
Ambrose Small.jpg






 
Grand Opera House, 11 Adelaide Street West, 1913. City of Toronto Archives, Fonds 200, Series 372, Subseries 41, Item 516.

For several generations, until at least the 1960s, a running joke for Torontonians was that the foundation excavations for each new building might finally uncover the long-lost remains of Ambrose J. Small. A millionaire who made his fortune in the theatre business based out of the Grand Opera House on Adelaide Street, Small’s baffling disappearance in late 1919 became one of the country’s most legendary unsolved mysteries. In life, Small seemed an unimpressive public figure, but investigations revealed unsavoury elements in his character that fuelled salacious nationwide newspaper headlines that made him, after his disappearance, larger than life.


 
Image from the Toronto Star, January 3, 1920.



Ambrose J. Small was born in Bradford, Ontario, in 1867


His father was a proprietor at the Grand Hotel on Toronto’s Adelaide Street West. Seeking to instil in his son a tireless work ethic, the elder Small convinced the owner of the Grand Opera House, located across the laneway from the hotel, to give his son a job in about 1884. Demonstrating business acumen, Ambrose Small rose quickly from assistant treasurer to treasurer.

By 1889, he had fallen out with the Grand Opera House’s manager, Oliver Barton Sheppard, and moved down the street to manage the Toronto Opera House. As manager and part-owner, he gained insight into how the international touring and booking syndicates that brought plays and vaudeville acts to theatres across North America worked. And so when Small purchased a number of theatres in cities across Ontario, beginning with Toronto’s Grand Opera House, these formed the nucleus of a thirty-four-theatre circuit in which he—not New York syndicates—controlled the bookings and touring shows.

Astutely sensing the sorts of shows that would appeal to the public, Small specialized in staging scintillating plays that imagined the sexual lives of single women. At the time of his disappearance, the Grand was showing Revelations of a Wife, a tawdry melodrama. His other productions explored similarly racy themes with titles like Bertha the Sewing-Machine Girl or School for Scandal. Such near-burlesque entertainments raised eyebrows among puritan Toronto’s elite, but they also certainly filled seats.

Ambrose married Theresa Kormann on November 6, 1904, in York (Toronto). To the public eye, the couple were upright citizens, among the elite of Toronto society. He was a member of exclusive organizations like the Empire Club, Canadian Club, and the Yacht Club. Likewise, she was a member of the Women’s Canadian Club, the Toronto Ladies’ Club, the Musical Club of Toronto, the Women’s Art Association of Toronto, as well as an officer in the I.O.D.E. She, a Catholic, was a philanthropist who gave regularly to Catholic charities, such as the St. Vincent de Paul children’s orphanage. Her husband, a Protestant, sometimes accompanied her to make presentations, even though he had at least once grumblingly professed that he had no use for either Catholics or children.

Disappearance

Seeing declining returns on touring shows but increased costs of productions, the Smalls grew restless with the theatre business after the First World War. On a brief business trip to Montreal in the fall of 1919, Small negotiated a deal to sell his chain of theatres to the Trans-Canada Theatres Limited for $1.7 million. On December 2, 1919, the purchasers visited to Toronto to finalize the deal. In a meeting, Small accepted a million-dollar cheque (with the balance to be paid in instalments over the years). The transaction concluded, Small sent his wife to deposit the cheque at the Dominion Bank’s main branch at King and Yonge while he ran errands—buying her a Cadillac, a fur, and jewellery. They lunched together before Small returned to his office at the Grand Opera House to share a celebratory cigar with his lawyer, E.F. Flock. Flock stepped out into a snowstorm at about 5:30 p.m. to catch an evening train, but Small was never seen again (a newsboy’s claim that Small had bought a paper from him was later refuted as mere hunger for publicity).

Small had no motive to disappear: the millionaire did not take money with him, nor was there any ransom note, let alone evidence of kidnapping. At 53, Small owned theatres in seven Ontario cities and was the controller of 62 other buildings, a self-made millionaire at the height of his career. Because Ambrose Small was known to disappear occasionally to womanize and carouse, his absence was not reported nor was it noted for several weeks. In January 1920, Small's attorney, F. W. M. Flock, along with Teresa Small, now alarmed by Small's lengthy absence, notified the local police. Teresa Small offered a $50,000 reward for information about her husband's disappearance and whereabouts. The reward went unclaimed.


Links
https://static.torontopubliclibrary.ca/da/pdfs/grandoperahouse00granuoft.pdf
 https://tayloronhistory.com/
 https://tayloronhistory.com/2016/03/14/grand-opera-house-on-adelaide-street-toronto/

Monday 30 December 2019

Aurora Site, Wendat (Huron) Ancestral Village

The Aurora Site, also known as the "Old Fort," "Old Indian Fort," "Murphy Farm" or "Hill Fort" site, is a sixteenth-century Huron-Wendat ancestral village located on one of the headwater tributaries of the East Holland River on the north side of the Oak Ridges Moraine in present-day Whitchurch–Stouffville, approximately 30 kilometres north of Toronto.

This Huron ancestral village was located on 3.4 hectares (8.4 acres) of land and the settlement was fortified with multiple rows of palisades. The community arrived ca. 1550, likely moving en masse from the so-called Mantle Site located nine kilometres to the south-east in what is today urban Stouffville. The Aurora/Old Fort site is located at the south-east corner of Kennedy Road and Vandorf Side Road, east of the hamlet of Vandorf in the town of Whitchurch–Stouffville. The Aurora site was occupied at the same time as the nearby Ratcliff site.

The Rouge River trail, used by the Huron and then later by the French to travel between Lake Ontario and Lake Simcoe / Georgian Bay, ran through the Aurora site.
Perhaps the busiest and best documented of these routes was that which followed the Humber River valley northward ... although another trail of equal importance and antiquity and used earlier than the former by the French, extended from the mouth of the Rouge River northward to the headwaters of the Little Rouge and over the drainage divide to the East Branch of the Holland River at Holland Landing.

The Aurora/Old Fort site was indiscriminately looted by collectors throughout the eighteenth and early nineteenth century. An 1885 report on Whitchurch Township notes that two thousand interments took place on the site, and that another smaller burial site was found two hundred yards from the site beside a large pond.
The self-trained archaeologist William Brodie wrote two archaeological reports on his findings at the Old Fort site (1888; 1901) dating back to his first visit in 1846. In reference to the Old Fort site, Brodie wrote in 1901:

To say that a ton of archaeological material was collected from the County of York sites, is a moderate estimate. Some of it is in European museums, some in the States, and some of it in Laval University, some of it is still in the hands of amateur collectors, and a little of it has been secured for the Provincial Museum, but the greater part of it, once in the keeping of private collectors, is gone, being collected and lost, as private collections often are.

A complete map of the site was produced in 1930 by the amateur archaeologist Peter Pringle.[7]
The Aurora/Old Fort site was completely excavated in 1947 and 1957 by the University of Toronto. The 1947 dig was the first student excavation by the university, and it was led by John Norman Emerson. Emerson's doctoral work was largely based on the excavations of the Aurora/Old Fort site.
This excavation contributed to the conclusions of archeologists and anthropologists that the Wendat coalesced as a people in this area, rather than further east in the St. Lawrence River valley, as was thought at one time. Findings in the late twentieth century at the Ratcliff Site and in 2005 at the Mantle Site have provided more evidence of sixteenth-century settlements by ancestral Wendat in this region.

The Mysterious Vatican

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